Abstract
In this chapter I identify, demonstrate, explain, and critique two narratives used, traditionally, in the writing of the past of international humanitarian law (IHL). One tells of IHL’s ineluctable progress, the other of its timeless, culture-less, universal immanence. These appear at odds: one narrates the dynamic process of restraining—and humanising—war through law; the other emphasises a constant and immutable idea of humanitarian restraint that inheres in any human civilisation. Culturally, nonetheless, these two narratives share the same function: both are used to affirm, to exogenous and endogenous audiences, faith in the project to humanise war. Deconstructing these narratives as forms of social memory suggests, however, that both types express and deal with epistemic anxieties about the present achievements of that project; both, in fact, allow IHL practitioners to come to terms with the present state of the project to humanise war by deferring the fulfilment of its promise to the indefinite future.
| Original language | English |
|---|---|
| Pages (from-to) | 33-70 |
| Number of pages | 38 |
| Journal | Yearbook of International Humanitarian Law |
| Volume | 26 |
| Issue number | 1 |
| DOIs | |
| State | Published - 2023 |
| Externally published | Yes |
Bibliographical note
Publisher Copyright:© T.M.C. ASSER PRESS and the authors 2023.
Keywords
- Culture
- Historiography
- History
- International Humanitarian Law
- Laws of War
- Progress
- Social Memory
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