Abstract
The Sanskrit campū Nīlakaṇṭhavijaya is arguably the most popular literary work of Nīlakaṇṭha Dīkṣita. It narrates the mythical story of the churning of the Ocean of Milk, with an emphasis on the part played by Dīkṣita’s personal god—Śiva. A close reading reveals that this text is preoc-cupied with themes of agency and subjectivity. The multiple characters of the story are not conventional archetypes. Rather, they inhabit shared worlds and come across as having distinct yet intersecting identities. Gods, demons, snakes and even Venom are given very human biographies and social milieux. And all these biographies flow into that of the titular Nīlakaṇṭha, presenting an implicit model of the self. But who is the Nīlakaṇṭha of the title?.
Original language | English |
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Pages (from-to) | 29-60 |
Number of pages | 32 |
Journal | Cracow Indological Studies |
Volume | 24 |
Issue number | 1 |
DOIs | |
State | Published - 18 Aug 2022 |
Externally published | Yes |
Bibliographical note
Publisher Copyright:© 2022, Ksiegarnia Akademicka Publishing Ltd. All rights reserved.
Keywords
- early modern South India
- Nīlakaṇṭha Dīkṣita
- Sanskrit kāvya
- self
- sharedness