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Differential social media affordances: an actor type-centric, intermediate-level approach using the case of social movements

  • Christian Baden*
  • , Annett Heft
  • , Michael Vaughan
  • , Barbara Pfetsch
  • *Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

1 Scopus citations

Abstract

Social media have profoundly changed social communication practices across a vast range of contexts. To theorize these changes, numerous authors have proposed digital affordances as a conceptual lens. Yet, to date, most accounts of digital affordances either gloss broadly over cross-platform or use-dependent differences in practices; or they are highly context-specific, obstructing theoretical integration. In this article, we conceptualize social media affordances on an intermediate level of abstraction that foregrounds consequential differences in how digital social media platforms structure social communication practices. Focusing on the characteristic communication needs of social movements as an exemplary case, we identify how social media platforms present users with differential affordances for articulating public claims, building collective identities, and mobilizing contentious performances. We examine how key contextual conditions alter the value of differential affordances, potentially resulting in differential communication practices and platform preferences. We conclude by discussing key opportunities of our approach for comparative research and theory building.

Original languageEnglish
Pages (from-to)165-176
Number of pages12
JournalCommunication Theory
Volume36
Issue number3
DOIs
StatePublished - Aug 2026

Bibliographical note

Publisher Copyright:
© The Author(s) 2025. Published by Oxford University Press on behalf of International Communication Association. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited.

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