Does extra-large equal extra-ordinary? The ‘Wall of Chinggis Khan’ from a multidimensional perspective

Gideon Shelach-Lavi*, William Honeychurch, Amartuvshin Chunag

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

6 Scopus citations

Abstract

This paper focuses on a hitherto little-known long (or “Great”) wall that stretches along 737 km from northern Inner Mongolia in China, through Siberia into northeastern Mongolia. The wall was constructed during the late medieval period (10th to 13th century CE) but is commonly called the “Wall of Chinggis Khan” (or ‘Chingisiin Dalan’ in Mongolian). It includes, in addition to the long-wall itself, a ditch feature and numerous associated fortifications. By way of an analysis of this impressive construction we seek to better understand the concept of monumentality and in turn shed light on the wall’s structure, function and possible reasons for its erection. We pose the interesting question of whether any construction that is very large and labor intensive should be defined as a “monument”, and if so, what that definition of monumentality actually entails and whether such a concept is useful as a tool for research. Our discussion is relevant to the theme of this collection of papers in that it addresses the concept of the ‘extraordinary’ as conceived by archeologists. Following our analysis and discussion, we conclude that although size and expenditure of energy are important attributes of many monuments, monumentality (i.e., expression of the extraordinary) is not a binary “either-or” concept. Rather than ask whether the “Wall of Chinggis Khan” was or was not a monument per se, our analysis reveals aspects in which it was indeed monumental and extraordinary, and others in which it was not extraordinary, but rather an ordinary utilitarian artifact.

Original languageEnglish
Article number22
JournalHumanities and Social Sciences Communications
Volume7
Issue number1
DOIs
StatePublished - 1 Dec 2020

Bibliographical note

Publisher Copyright:
© 2020, The Author(s).

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