Edge-preserving decompositions for multi-scale tone and detail manipulation

Zeev Farbman*, Raanan Fattal, Dani Lischinski, Richard Szeliski

*Corresponding author for this work

Research output: Contribution to conferencePaperpeer-review

389 Scopus citations


Many recent computational photography techniques decompose an image into a piecewise smooth base layer, containing large scale variations in intensity, and a residual detail layer capturing the smaller scale details in the image. In many of these applications, it is important to control the spatial scale of the extracted details, and it is often desirable to manipulate details at multiple scales, while avoiding visual artifacts. In this paper we introduce a new way to construct edge-preserving multi-scale image decompositions. We show that current base-detail decomposition techniques, based on the bilateral filter, are limited in their ability to extract detail at arbitrary scales. Instead, we advocate the use of an alternative edge-preserving smoothing operator, based on the weighted least squares optimization framework, which is particularly well suited for progressive coarsening of images and for multi-scale detail extraction. After describing this operator, we show how to use it to construct edge-preserving multi-scale decompositions, and compare it to the bilateral filter, as well as to other schemes. Finally, we demonstrate the effectiveness of our edge-preserving decompositions in the context of LDR and HDR tone mapping, detail enhancement, and other applications.

Original languageAmerican English
StatePublished - 2008
EventACM SIGGRAPH 2008 Papers 2008, SIGGRAPH'08 - Los Angeles, CA, United States
Duration: 11 Aug 200815 Aug 2008


ConferenceACM SIGGRAPH 2008 Papers 2008, SIGGRAPH'08
Country/TerritoryUnited States
CityLos Angeles, CA


  • Bilateral filter
  • Detail enhancement
  • Digital darkroom
  • Edge-preserving smoothing
  • High dynamic range
  • Image abstraction
  • Multi-scale image decomposition
  • Tone mapping


Dive into the research topics of 'Edge-preserving decompositions for multi-scale tone and detail manipulation'. Together they form a unique fingerprint.

Cite this