Enacting the victim, reenacting the perpetrator: the dialectics of Shoah theatre in Israeli adaptations of Viktor Frankl's synchronization in Birkenwald (1946)

Jan Kühne

Enacting the victim, reenacting the perpetrator: the dialectics of Shoah theatre in Israeli adaptations of Viktor Frankl's synchronization in Birkenwald (1946)

Jan Kühne

Department of Theatre History

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Original language	English
Title of host publication	Countless Centers
Subtitle of host publication	Liber Amicorum for Freddie Rokem
Editors	Ruthie Abeliovich, Ira Avneri, Daphna Ben-Shaul, Nikolaus Müller-Schöll, Matthias Naumann
Place of Publication	Berlin
Publisher	Neofelis
Pages	191-198
Number of pages	8
ISBN (Electronic)	9783958086272, 3958086276
ISBN (Print)	9783958086289, 3958086284
State	Published - 2026

Cite this

Kühne, Jan. / Enacting the victim, reenacting the perpetrator : the dialectics of Shoah theatre in Israeli adaptations of Viktor Frankl's synchronization in Birkenwald (1946). Countless Centers: Liber Amicorum for Freddie Rokem. editor / Ruthie Abeliovich ; Ira Avneri ; Daphna Ben-Shaul ; Nikolaus Müller-Schöll ; Matthias Naumann. Berlin : Neofelis, 2026. pp. 191-198

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Enacting the victim, reenacting the perpetrator: the dialectics of Shoah theatre in Israeli adaptations of Viktor Frankl's synchronization in Birkenwald (1946). / Kühne, Jan.
Countless Centers: Liber Amicorum for Freddie Rokem. ed. / Ruthie Abeliovich; Ira Avneri; Daphna Ben-Shaul; Nikolaus Müller-Schöll; Matthias Naumann. Berlin: Neofelis, 2026. p. 191-198.

Research output: Chapter in Book/Report/Conference proceeding › Chapter

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Enacting the victim, reenacting the perpetrator: the dialectics of Shoah theatre in Israeli adaptations of Viktor Frankl's synchronization in Birkenwald (1946)

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