Illuminant chromaticity from image sequences

Veronique Prinet, Dani Lischinski, Michael Werman

Research output: Chapter in Book/Report/Conference proceedingConference contributionpeer-review

22 Scopus citations

Abstract

We estimate illuminant chromaticity from temporal sequences, for scenes illuminated by either one or two dominant illuminants. While there are many methods for illuminant estimation from a single image, few works so far have focused on videos, and even fewer on multiple light sources. Our aim is to leverage information provided by the temporal acquisition, where either the objects or the camera or the light source are/is in motion in order to estimate illuminant color without the need for user interaction or using strong assumptions and heuristics. We introduce a simple physically-based formulation based on the assumption that the incident light chromaticity is constant over a short space-time domain. We show that a deterministic approach is not sufficient for accurate and robust estimation: however, a probabilistic formulation makes it possible to implicitly integrate away hidden factors that have been ignored by the physical model. Experimental results are reported on a dataset of natural video sequences and on the Gray Ball benchmark, indicating that we compare favorably with the state-of-the-art.

Original languageEnglish
Title of host publicationProceedings - 2013 IEEE International Conference on Computer Vision, ICCV 2013
PublisherInstitute of Electrical and Electronics Engineers Inc.
Pages3320-3327
Number of pages8
ISBN (Print)9781479928392
DOIs
StatePublished - 2013
Event2013 14th IEEE International Conference on Computer Vision, ICCV 2013 - Sydney, NSW, Australia
Duration: 1 Dec 20138 Dec 2013

Publication series

NameProceedings of the IEEE International Conference on Computer Vision

Conference

Conference2013 14th IEEE International Conference on Computer Vision, ICCV 2013
Country/TerritoryAustralia
CitySydney, NSW
Period1/12/138/12/13

Keywords

  • Color constancy
  • Image processing
  • Low-level vision
  • White balance

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