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Imagination, Creativity, and Acting

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Abstract

The chapter examines the relationship of acting—defined as aesthetically governed, embodied roleplaying—to creativity and to the imagination. Particular attention is paid to the body as a vehicle of a particular kind of imaginative agency. After offering a distinct sense by which actors create, drawing on the Hebrew barah (creativity in the sense of bringing something into existence and sustaining its vitality), acting is distinguished from overlapping notions, such as roleplaying in a certain profession or pretending. Finally, the unique experience of imagining as actor is related to three modes of existential amplification. Possible moral implications are discussed. The notion of “experiencing” is somewhat disambiguated.

Original languageEnglish
Title of host publicationThe Oxford Handbook of Philosophy of Imagination and Creativity
PublisherOxford University Press
Pages371-383
Number of pages13
ISBN (Electronic)9780197694855
ISBN (Print)9780197694824
DOIs
StatePublished - 1 Jan 2026

Bibliographical note

Publisher Copyright:
© Oxford University Press 2026.

Keywords

  • acting
  • audience
  • creativity
  • embodiment
  • existential amplification
  • experience
  • imagination
  • pretending
  • roleplaying
  • theater

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