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“It Didn’t Come from the Heart”: Enactments, Meanings, and Assessments of Girls’ Friendship Performances

  • Thalia Thereza Assan*
  • *Corresponding author for this work

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Abstract

Friendship is largely perceived as a private and highly positive relationship. By interrogating friendship performances undertaken by girls at school and on social media, this chapter illuminates the public and critical aspects of friendship. I draw on performative theory and the sociology of personal life to analyze data from two ethnographic studies, one conducted with girls in an elementary school in Israel and the other conducted with girls in an antiracist youth work organization in Scotland. I analyze the aims, content, and outcomes of friendship performances as well as the contexts that shape them. I argue that successful friendship performances strengthen and validate these relationships, especially in socially intensive settings, while failed performances reflect and lead to friendship difficulties and breakdowns. Moreover, as friendship is relatively uninstitutionalized and its obligations unclear, publicly performing friendship enables individuals to elucidate their desired friendship characteristics and try to live up to their demands.

Original languageEnglish
Title of host publicationCritical Friendship in the Modern World
PublisherCambridge University Press
Pages97-112
Number of pages16
ISBN (Electronic)9781009786133
ISBN (Print)9781009772822
DOIs
StatePublished - 1 Jan 2026

Bibliographical note

Publisher Copyright:
© Cambridge University Press & Assessment 2026.

Keywords

  • display
  • Erving Goffman
  • friendship characteristics
  • friendship demands
  • friendship performances
  • girls
  • performance failures
  • personal life
  • school
  • social media

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