Muḥammad al-Māghūṭ’s rhetoric of sincerity: a major voice in modern Arabic poetry

This article highlights the poetics of Syrian poet Muḥammad al-Māghūt ̣(1934-2006) as forging a poetic identity enacted as a series of performative contradictions between the empirical and the poetic selves in what amounts to a discourse of “rhetorical sincerity.” This poetic discourse employs a variety of devices to communicate that the irreducibility of Arab life can be contained neither in the polished spheres of art nor in political speech-making. By situating personas close to commonalities of human struggles without subtracting critical distance, al-Māghūṭ negotiates a modernistic consciousness with values of ṣidq (sincerity) and aṣāla (authenticity). Part one develops the concept of poetic sincerity and delineates al-Māghūt'̣s cultural battles. Part two examines al-Māghūt'̣s rhythmic irregularities in “al-Qatl” (The Killing) as a key component in accomplishing the non-literary task of his ṣidq. This interpretation will hopefully elucidate the rationale behind al-Māghūt'̣s import for later poetic generations.