Observaciones sobre el género dramático: El cierre y la apertura de la devoción de la cruz

Translated title of the contribution: Concerning dramatic genre: The ending and the opening of la devoción de la cruz

Isaac Benabu*

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

Abstract

The present article considers aspects of the dramatic genre, illustrating the arguments adduced with reference to La devoción de la cruz. It focuses on aspects of theatrical writing which the dramatist codifies in the play text, that is, Calderón's stagecraft in fashioning the plot with performance in mind. The article consists of two parts: the first discusses some theatrical techniques that help to distinguish between tragedy and comedy, such as the development of the action, the mood prevailing on-stage and Calderón's handling of characterisation; the second presents a theatrical reading of the play's ending and its opening. In its approach, the present contribution differs from existing ones which usually examine the play text from a literary point of view.

Translated title of the contributionConcerning dramatic genre: The ending and the opening of la devoción de la cruz
Original languageSpanish
Pages (from-to)55-69
Number of pages15
JournalAnuario Calderoniano
Volume10
StatePublished - 2017

Keywords

  • Calderón, la devoción de la cruz
  • Performance
  • Text
  • Theatrical reading

Fingerprint

Dive into the research topics of 'Concerning dramatic genre: The ending and the opening of la devoción de la cruz'. Together they form a unique fingerprint.

Cite this