Abstract
This chapter discusses the central questions that preoccupy contemporary art education in Germany. An account of the era before World War I highlights the influences of past practices, concepts, and considerations that have shaped (pertinent) discussion(s) in art education in Germany. By outlining the different movements and approaches of prominent scholars and practitioners, the chapter investigates how German art education in the twenty-first century can be understood as a hybrid of visual communication, experimentation, self-discovery, education through art, and education toward art. Emphasizing the trend toward the inclusion of media education as well as the methods of cultural hacking, this chapter opens outward to encompass themes and issues that address students” realities, and concludes with a discussion about educational standards, the restrictive nature of the school environment, and the question of whether art should be taught independently or together with other disciplines.
| Original language | English |
|---|---|
| Title of host publication | The International Encyclopedia of Art and Design Education |
| Publisher | wiley |
| Pages | 1-17 |
| Number of pages | 17 |
| ISBN (Electronic) | 9781118978061 |
| ISBN (Print) | 9781118978078 |
| DOIs | |
| State | Published - 1 Jan 2019 |
| Externally published | Yes |
Bibliographical note
Publisher Copyright:© 2019 John Wiley & Sons, Inc. All rights reserved.
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 4 Quality Education
Keywords
- aesthetic research
- Bauhaus
- Bitterfelder Manifest
- BUKO
- cultural hacking
- educational standards
- erweiterter Kunstbegriff
- GDR
- Gert Selle
- Gunter Otto
- Helga KäMPF-Janssen
- image competency
- interdisciplinary
- Jens Badura
- musische Erziehung
- Nazi ideology
- process orientation
- visual competency
- Volkskunst
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