TY - JOUR
T1 - Phatic morality
T2 - Television and proper distance
AU - Frosh, Paul
PY - 2011/7
Y1 - 2011/7
N2 - This article attempts to expand Silverstone's notion of 'proper distance' by asking what moral possibilities are 'proper' to aspects of mediation that are usually understood to be 'distant': impersonal, non-intimate and inattentive. Proper assessment of these low-intensity modes of mediation invites us to challenge the automatic assumption that moral sensibility has a necessary basis in audience attentiveness, intimacy and involvement with the representations of others. Instead, the article emphasizes the work of 'phatic morality', the moral ground created by long-term, habitual, ambient forms of mediated connectivity rather than the attentive engagement of viewers with particular texts. Focusing on television, it elaborates the features and limitations of phatic morality by exploring frequently denigrated aspects of the medium: the creation of non-reciprocal communicative relations between viewer and viewed; the transience of those depicted; the substitutability of depicted individuals and the aggregation of images over time.
AB - This article attempts to expand Silverstone's notion of 'proper distance' by asking what moral possibilities are 'proper' to aspects of mediation that are usually understood to be 'distant': impersonal, non-intimate and inattentive. Proper assessment of these low-intensity modes of mediation invites us to challenge the automatic assumption that moral sensibility has a necessary basis in audience attentiveness, intimacy and involvement with the representations of others. Instead, the article emphasizes the work of 'phatic morality', the moral ground created by long-term, habitual, ambient forms of mediated connectivity rather than the attentive engagement of viewers with particular texts. Focusing on television, it elaborates the features and limitations of phatic morality by exploring frequently denigrated aspects of the medium: the creation of non-reciprocal communicative relations between viewer and viewed; the transience of those depicted; the substitutability of depicted individuals and the aggregation of images over time.
KW - composite image
KW - inattention
KW - morality
KW - phatic communion
KW - television
UR - http://www.scopus.com/inward/record.url?scp=79959534767&partnerID=8YFLogxK
U2 - 10.1177/1367877911403248
DO - 10.1177/1367877911403248
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AN - SCOPUS:79959534767
SN - 1367-8779
VL - 14
SP - 383
EP - 400
JO - International Journal of Cultural Studies
JF - International Journal of Cultural Studies
IS - 4
ER -