Abstract
The Pi Ta Khon are masked dancers in the Pha Wet (Vessantara) festival in Dan Sai town, Northeastern Thailand, who in recent decades became a major tourist attraction. This is a case study of the transformation of the appearance and conduct of the Pi Ta Khon, as they were adapted by the national and local tourist authorities for the growing domestic and foreign tourist audience. Taking a Turnerian perspective, the Pi Ta Khon are interpreted as liminal beings, whose liminality, however, is attenuated by the interference of those outside organisational forces. Two modifications of Turner's approach to liminality and pilgrimage are suggested on the basis of this case study.
Original language | English |
---|---|
Pages (from-to) | 241-255 |
Number of pages | 15 |
Journal | International Journal of Tourism Anthropology |
Volume | 7 |
Issue number | 3-4 |
DOIs | |
State | Published - 2019 |
Bibliographical note
Publisher Copyright:Copyright © 2019 Inderscience Enterprises Ltd.
Keywords
- Commercialisation
- Liminality
- Masks
- Phra Wet festival
- Pilgrimage
- Tourism
- Vesantara Jataka