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Reading the illegible: can law understand graffiti?
Katya Assaf Zakharov
, Tim Schnetgoeke
Law
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Arts and Humanities
Scholars
100%
Painting
100%
Art Institutions
66%
Expression
33%
Local
33%
Cultural Heritage
33%
Urban Landscape
33%
Style
33%
favour
33%
Crime
33%
1960s
33%
art form
33%
Canon
33%
New York
33%
National Museums
33%
Creator
33%
Jean Baudrillard
33%
real name
33%
anonymous artists
33%
Vandals
33%
Aesthetic Expression
33%
Social Attitude
33%
Keyphrases
Law
100%
Graffiti
100%
Painters
10%
Art Institutions
10%
Everyday Life
5%
Motivation
5%
Politics
5%
Selling
5%
Physical Properties
5%
Legal Responses
5%
Prison
5%
Social Background
5%
Urban Landscape
5%
Copyright
5%
Local Authorities
5%
Social Reactions
5%
Real-name
5%
Declare
5%
Legal System
5%
Cultural Heritage
5%
High Prices
5%
Dissent
5%
Visual Environment
5%
Criminal Sanctions
5%
Commercial Value
5%
Civilization
5%
Commerce
5%
New-style
5%
Hegemonic Power
5%
Legal Regulation
5%
Museum
5%
Space Program
5%
Social Phenomena
5%
Social Attitudes
5%
Copyright Protection
5%
Common Message
5%
Philadelphia
5%
New York
5%
Vandalism
5%
Public Forum
5%
National Museum
5%
Visual Expression
5%
Current Form
5%
Money Recognition
5%
Illegal Work
5%
ART Programs
5%
International Movement
5%
Opinion Exchange
5%
Aesthetic Expression
5%
Economic Background
5%
Hooligans
5%
Public Recognition
5%
Vandals
5%
Artistic Phenomena
5%
Baudrillard
5%