TY - JOUR
T1 - Sentient Photography
T2 - Image-Production and the Smartphone Camera
AU - Altaratz, Doron
AU - Frosh, Paul
N1 - Publisher Copyright:
© 2021 Informa UK Limited, trading as Taylor & Francis Group.
PY - 2021
Y1 - 2021
N2 - Thanks to the smartphone, photography has become pervasive in contemporary digital culture. Yet the smartphone’s very ‘smartness’ profoundly alters the relations of control between humans and technologies in image-production practices. Unlike dedicated cameras, smartphones use built-in sensors for small-scale positioning to ‘sense’ user’s bodily orientations and states of motion. Combined with photographic applications, this ‘sentience’ enables devices to direct user actions and to require user compliance in order to create an image. In this paper, we analyze image-production in three smartphone applications to chart a continuum between two techno-cultural poles. At one pole smartphone photography accommodates a range of human-technological interactions, including the development of new forms of play and experimentation. At the opposite pole, it executes algorithmically-choreographed sentient photography in which ultimate decisions are made by context-aware learning software, radically reconfiguring the distribution of agency between humans and technologies. The development of sentient photography, we conclude, represents the integration of the photographer’s body itself into platform control of image-production.
AB - Thanks to the smartphone, photography has become pervasive in contemporary digital culture. Yet the smartphone’s very ‘smartness’ profoundly alters the relations of control between humans and technologies in image-production practices. Unlike dedicated cameras, smartphones use built-in sensors for small-scale positioning to ‘sense’ user’s bodily orientations and states of motion. Combined with photographic applications, this ‘sentience’ enables devices to direct user actions and to require user compliance in order to create an image. In this paper, we analyze image-production in three smartphone applications to chart a continuum between two techno-cultural poles. At one pole smartphone photography accommodates a range of human-technological interactions, including the development of new forms of play and experimentation. At the opposite pole, it executes algorithmically-choreographed sentient photography in which ultimate decisions are made by context-aware learning software, radically reconfiguring the distribution of agency between humans and technologies. The development of sentient photography, we conclude, represents the integration of the photographer’s body itself into platform control of image-production.
UR - http://www.scopus.com/inward/record.url?scp=85107837250&partnerID=8YFLogxK
U2 - 10.1080/17540763.2021.1877788
DO - 10.1080/17540763.2021.1877788
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AN - SCOPUS:85107837250
SN - 1754-0763
VL - 14
SP - 243
EP - 264
JO - Photographies
JF - Photographies
IS - 2
ER -