Suspension of Belief and Dissimulation of Absence: Themes in the Theatrical and Critical Reception of Nathan the Wise in Israel, Germany and Austria after 1945

Jan Kühne

Suspension of Belief and Dissimulation of Absence: Themes in the Theatrical and Critical Reception of Nathan the Wise in Israel, Germany and Austria after 1945

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

Abstract

A multi-tragic paradigm for Jewish fascination with German culture is the writer
Gotthold Ephraim Lessing and his theatre play Nathan the Wise (1779).

Original language	American English
Title of host publication	Working Paper Series of the Center for German Studies, Hebrew University Jerusalem
Place of Publication	Jerusalem
Publisher	European Forum at the Hebrew University, Center for German Studies
Pages	1-51
Number of pages	52
State	Published - 2011

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Kühne, J. (2011). Suspension of Belief and Dissimulation of Absence: Themes in the Theatrical and Critical Reception of Nathan the Wise in Israel, Germany and Austria after 1945. In Working Paper Series of the Center for German Studies, Hebrew University Jerusalem (pp. 1-51). European Forum at the Hebrew University, Center for German Studies. https://d1wqtxts1xzle7.cloudfront.net/31454141/Kuhne_-_Suspension_of_Belief_and_Dissimulation_of_Absence-_Themes_in_the_Theatrical_and_Critical_Reception_of_Nathan_the_Wise_in_Israel_-libre.pdf?1392318092=&response-content-disposition=inline%3B+filename%3DSuspension_of_Belief_and_Dissimulation.pdf&Expires=1672649796&Signature=P2zlhNC1HDoW38SXWS-H9TNnumMmn1sSJiGe0gp8hSwv2Mcxi4IMwAvRXeBiHP2OJm-Zfg-GuA-jbxhVa-t037CFbWY98ZWnf9lKBqmGsZbtHcUMSl~Aw8uYUgc9ELCNJmbftN0Uu5XRqH9CUt7Ixejrj95fWuDfCnTCZhxXQK3njxF-Aqpx9aDnmNhM8Ca-AQg51SsQMg8VwLgplVJUAE81h97TSKdCLJLgEE1b3QbwZoSIfTWn~hw~5ygO8k2Gftf2N7o-gFElc3nktFyOrvC3vb-MQKBW8~CuwHGdH3jsYMR6TzX8d0Vb50NKTEOSmB8OvVurNLGzr4D0Yi~D-A__&Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA

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title = "Suspension of Belief and Dissimulation of Absence: Themes in the Theatrical and Critical Reception of Nathan the Wise in Israel, Germany and Austria after 1945",

abstract = "A multi-tragic paradigm for Jewish fascination with German culture is the writerGotthold Ephraim Lessing and his theatre play Nathan the Wise (1779).",

author = "Jan K{\"u}hne",

year = "2011",

language = "American English",

pages = "1--51",

booktitle = "Working Paper Series of the Center for German Studies, Hebrew University Jerusalem",

publisher = "European Forum at the Hebrew University, Center for German Studies",

}

Kühne, J 2011, Suspension of Belief and Dissimulation of Absence: Themes in the Theatrical and Critical Reception of Nathan the Wise in Israel, Germany and Austria after 1945. in Working Paper Series of the Center for German Studies, Hebrew University Jerusalem. European Forum at the Hebrew University, Center for German Studies, Jerusalem, pp. 1-51. <https://d1wqtxts1xzle7.cloudfront.net/31454141/Kuhne_-_Suspension_of_Belief_and_Dissimulation_of_Absence-_Themes_in_the_Theatrical_and_Critical_Reception_of_Nathan_the_Wise_in_Israel_-libre.pdf?1392318092=&response-content-disposition=inline%3B+filename%3DSuspension_of_Belief_and_Dissimulation.pdf&Expires=1672649796&Signature=P2zlhNC1HDoW38SXWS-H9TNnumMmn1sSJiGe0gp8hSwv2Mcxi4IMwAvRXeBiHP2OJm-Zfg-GuA-jbxhVa-t037CFbWY98ZWnf9lKBqmGsZbtHcUMSl~Aw8uYUgc9ELCNJmbftN0Uu5XRqH9CUt7Ixejrj95fWuDfCnTCZhxXQK3njxF-Aqpx9aDnmNhM8Ca-AQg51SsQMg8VwLgplVJUAE81h97TSKdCLJLgEE1b3QbwZoSIfTWn~hw~5ygO8k2Gftf2N7o-gFElc3nktFyOrvC3vb-MQKBW8~CuwHGdH3jsYMR6TzX8d0Vb50NKTEOSmB8OvVurNLGzr4D0Yi~D-A__&Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA>

Suspension of Belief and Dissimulation of Absence: Themes in the Theatrical and Critical Reception of Nathan the Wise in Israel, Germany and Austria after 1945. / Kühne, Jan.
Working Paper Series of the Center for German Studies, Hebrew University Jerusalem. Jerusalem: European Forum at the Hebrew University, Center for German Studies, 2011. p. 1-51.

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

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Suspension of Belief and Dissimulation of Absence: Themes in the Theatrical and Critical Reception of Nathan the Wise in Israel, Germany and Austria after 1945

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