Abstract
The many literary traditions Margaret Atwood explores and subverts in Oryx and Crake tend to obscure the crucial genre form with which her novel engages: the revenge tragedy. This article proposes that Oryx and Crake be read as an intertextual dialogue with Shakespeare's Hamlet in particular. In both texts, a revenge plot inexorably unfolds: a father is treacherously murdered; a mother, implicated in her husband's death, marries the murderer; an only son learns of the secret crime and dedicates himself to vengeance.
| Original language | English |
|---|---|
| Pages (from-to) | 87-110 |
| Number of pages | 24 |
| Journal | Critique - Studies in Contemporary Fiction |
| Volume | 50 |
| Issue number | 1 |
| DOIs | |
| State | Published - 2008 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 16 Peace, Justice and Strong Institutions
Keywords
- Animal and human rights
- Dystopian fiction
- Environmentalism
- Revenge tragedy
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