The visual Dreyfus Affair - a new text? On the Dreyfus Affair exhibition at the Jewish Museum, New York

Research output: Contribution to journalArticle

Abstract

Discusses the significance of visual material relating to the Dreyfus Affair, especially the drawings and caricatures which appeared in the French press at the time. Relates to the negative image of the Jew, and the precedent set by Adolphe Willette, in his drawing "Les Juifs et la semaine sainte (1885), who established iconographic elements for the anti-Jewish imagery produced in the following 15 years. Points to the artistic tradition of depicting the Jew in racial terms, dating back to 18th-century England. This popular negative image, combined with traditional forms of French antisemitism, made it easy for anti-Dreyfusards to arouse the public to see Dreyfus as a modern-day Judas.
Original languageEnglish
Pages (from-to)71-90
Number of pages20
JournalStudies in Contemporary Jewry
Volume6
StatePublished - 1990

Bibliographical note

Record created automatically from multi-article record # 000036062

RAMBI Publications

  • Rambi Publications
  • Dreyfus, Alfred -- 1859-1935 -- Exhibitions
  • Dreyfus, Alfred -- 1859-1935 -- Trials, litigation, etc
  • Jewish Museum (New York, N.Y.)
  • Antisemitism -- France -- History -- 19th century -- Pictorial works
  • Antisemitism in art -- Exhibitions
  • Jews in art
  • Jews -- Caricatures and cartoons -- Exhibitions

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