The Voice of a «Mute Prima Donna»: Poniatowski’s La Contessina and Stylistic Changes in Opera Semiseria

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Original language	English
Title of host publication	Musical Networks across Borders. The Multiplicity of Musical Creation
Editors	Bella Brover-Lubovsky, Irit Youngerman
Publisher	Ut Orpheus
Pages	173-194
ISBN (Print)	9788881095469
State	Published - 2025

Name	Ad Parnassum Studies

Cite this

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title = "The Voice of a «Mute Prima Donna»: Poniatowski{\textquoteright}s La Contessina and Stylistic Changes in Opera Semiseria ",

author = "Rimona Paul",

year = "2025",

language = "אנגלית",

isbn = "9788881095469",

series = "Ad Parnassum Studies",

publisher = "Ut Orpheus",

pages = " 173--194",

editor = "\{ Brover-Lubovsky\}, Bella and Irit Youngerman",

booktitle = "Musical Networks across Borders. The Multiplicity of Musical Creation",

}

The Voice of a «Mute Prima Donna»: Poniatowski’s La Contessina and Stylistic Changes in Opera Semiseria . / Paul, Rimona.
Musical Networks across Borders. The Multiplicity of Musical Creation. ed. / Bella Brover-Lubovsky; Irit Youngerman. Ut Orpheus, 2025. p. 173-194 (Ad Parnassum Studies).

Research output: Chapter in Book/Report/Conference proceeding › Chapter

TY - CHAP

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SN - 9788881095469

T3 - Ad Parnassum Studies

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BT - Musical Networks across Borders. The Multiplicity of Musical Creation

A2 - Brover-Lubovsky, Bella

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PB - Ut Orpheus

ER -