TY - JOUR
T1 - Three dimensions of archive footage
T2 - Researching archive films from the holocaust
AU - Ebbrecht-Hartmann, Tobias
N1 - Publisher Copyright:
© 2016, Apparatus. All rights reserved.
PY - 2016
Y1 - 2016
N2 - Archive footage from the Holocaust is an ambivalent source. Hence, specific ways of “reading” this footage are required that analyse the specific content, review the context of its production, and also take into account the circulation and appropriation of the footage in visual culture and correspondingly examine its changing status. By reviewing particular footage from the Warsaw and the Theresienstadt ghetto the article delineates an approach to analyse these three dimensions of archive footage and correspondingly proposes a specific historiography of archive films from the Holocaust.
AB - Archive footage from the Holocaust is an ambivalent source. Hence, specific ways of “reading” this footage are required that analyse the specific content, review the context of its production, and also take into account the circulation and appropriation of the footage in visual culture and correspondingly examine its changing status. By reviewing particular footage from the Warsaw and the Theresienstadt ghetto the article delineates an approach to analyse these three dimensions of archive footage and correspondingly proposes a specific historiography of archive films from the Holocaust.
KW - Archive
KW - Archive image
KW - Film
KW - Footage
KW - Historiography
KW - Holocaust
KW - Visual memory
UR - http://www.scopus.com/inward/record.url?scp=85057564210&partnerID=8YFLogxK
U2 - 10.17892/app.2016.0003.51
DO - 10.17892/app.2016.0003.51
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AN - SCOPUS:85057564210
SN - 2365-7758
VL - 2016
JO - Apparatus
JF - Apparatus
IS - 2-3
ER -